Dodge’s plain but curious objects and installations often flirt with combinations of the familiar and uncanny. Robbed or stripped of origin, function and purpose, his assortments of replicas are reduced in a gesture of subtle irony to the sum total of their material qualities, their styling, a summation of details and the interplay of surfaces and textures. But his project doesn’t stop with post-Pop commodity critique or arguments about style versus function and the attendant value judgements. His works also delve into the realm of fiction.

“Dominic Eichler for Frieze Magazine”

Please also see:

www.yvon-lambert.com